FunArt Street Art Festival, Denmark, 2024

    The “Blokhus Mural” by Andrey Berger captures the dynamic interplay between the North Sea and the Danish coast, translating the region’s unique winds, shifting tides, and vibrant natural colors into a layered, evolving artwork. Inspired by coastal meteorology, the piece begins with an organic, cave-like foundation, overlaid with graphic elements of wind patterns, clouds, and sea movements—mirroring the ever-changing forces that shape Blokhus’ landscape. The mural becomes a living reflection of its environment, blending art with the invisible choreography of nature.

A mural created for cultural hub “Kolla” in Limassol, Cyprus , November 2023

    The mural is based on cartography and natural features of the region. I used the original features of the map of Limassol city and its surroundings, in particular the geodetic elevation marks, the direction of elevation of the landscape and the colors of the local landscape, especially soil and plants.


Rogachevsky Bridge public art for Strelka Institute, Dmitrov, Russia 2021.

    The bridge transforms the architectural supports of this river crossing into a striking visual dialogue between two worlds. The Moscow-facing pylon erupts in dynamic red-and-white geometry—a pulsating grid reminiscent of digital codes—capturing the capital's relentless energy. In contrast, the St. Petersburg support dissolves into fluid blue waveforms, echoing the Neva's currents and the hypnotic glow of white nights. Beyond mere infrastructure, the structure becomes a symbolic connector, its opposing graphic languages materializing the cultural duality of Russia's iconic cities through bold, site-specific abstraction.

Tactical storm, Phygital environment with PUMA , Moscow, Russia, 2020.

    Andrey Berger transforms a basketball court into a sensory playground where swirling graphic patterns make invisible energy fields almost tangible. This isn't just an art installation - it's an immersive experiment where architecture becomes an active partner in the experience. Using dynamic visual rhythms, the artist creates a space where your body can literally sync up with the environment. It's where cutting-edge science about mind-body connection meets the physical thrill of sports, turning an ordinary court into a zone of unexpected discovery.
 
New Attraction Points, Samara, Russia, 2020.

Intervals Festival, Nizhny Novgorod, Russia, 2019

    Mural on the building of an abandoned grain elevator of a flour mill.I was inspired by the proximity of the river and the configuration of the space around the factory complex: the building stands at the foot of the high bank of the Oka River in the historical center of Nizhny Novgorod, from the side above it there is a transport interchange and a metro bridge.

    I decided to emphasize the connection of the elevator with the river and used an image of a fishing net taken from a photo from the middle of the last century, and also made an audio-visual collaboration with the Dreamlaser team. During the festival, the picture was supplemented with an animated projection using paint-mapping technology.

    After the end of the festival, the projection team completed its work, but the mural remained on the facade of the elevator. The work, which has become the largest in Nizhny Novgorod, is clearly visible even from the other bank of the Oka or from a metro train passing over the river.

Novye Vatutniki, Moscow, Russia, 2017.


Digital Landscape for BMW Triptichc Poland expedition, Lodz, Poland, 2019.